Sorry
This item is no longer available.
Product details:
Item Number:
044300066731
Brand:
Neumann,
Model Number:
Tlm 170 R Mt,
Model Name:
Switchable Studio Microphone
Colour:
Black
NEUMANN MICROPHONE Switchable Studio Microphone
IN GOOD CONDITION
COMES WITH ITS OWN CASE
The TLM 170 R incorporates five different directional polar patterns for a truly flexible performance. The polar patterns available are omnidirectional, cardioid, figure-8, hypercardioid and wide-angle cardioid.
Cardioid is excellent for delivering a tight-focused sound, whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience. This is a great polar pattern to rely on when recording live performances, either on-stage, or, in-the-studio. Hypercardioid and wide-angle cardioid are virtually the same but offer different rejection angles.
Fig. 8 picks up sound from the front and the back of the capsule whilst rejecting all sound coming from the side. This pattern has been a go-to trick for many producers recording two background vocals. When paired with another fig.8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously. However, beware. Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone. There's good reason why many radio broadcasters opt for this pattern!
FULLY WORKING AND TESTED IN STORE
Opening Hours
Mon - Tues: 10.00am - 5.30pm
Wed: 10.30am - 5.30pm
Thurs - Fri: 10.00am - 5.30pm
Sat: 10.00am - 5.30pm
Sun: 11.00am - 5.00pm
NEUMANN MICROPHONE Switchable Studio Microphone
IN GOOD CONDITION
COMES WITH ITS OWN CASE
The TLM 170 R incorporates five different directional polar patterns for a truly flexible performance. The polar patterns available are omnidirectional, cardioid, figure-8, hypercardioid and wide-angle cardioid.
Cardioid is excellent for delivering a tight-focused sound, whilst providing excellent off-axis rejection of around -6dB of unwanted noise and ambience. This is a great polar pattern to rely on when recording live performances, either on-stage, or, in-the-studio. Hypercardioid and wide-angle cardioid are virtually the same but offer different rejection angles.
Fig. 8 picks up sound from the front and the back of the capsule whilst rejecting all sound coming from the side. This pattern has been a go-to trick for many producers recording two background vocals. When paired with another fig.8 microphone and carefully positioned it can also work wonders on capturing vocals and guitar from a single performer simultaneously. However, beware. Utilising this positioning enhances close proximity effect which can lead to an unnatural amount of low-end being reproduced by the microphone. There's good reason why many radio broadcasters opt for this pattern!
FULLY WORKING AND TESTED IN STORE
